Real Ugly Blurb
Turner Campbell is an asshole.
I f*cking hate him.
But I can't get enough either.
He sings like an angel and f*cks like a devil.
If I could, I'd run away and never look back because to tell you the truth, I think this man might be the death of me.
***
Naomi Knox is a bitch.
I can't f*cking stand her.
But I can't stop thinking about her either.
She looks like an angel and plays like a devil.
If I could, I'd f*ck her good and forget all about her, but to tell you the truth, I think this woman might be my last saving grace.
REAL UGLY (BOOK 1) EXCERPT:
Through
my sunglasses, I see a face just offstage, hiding in the shadows with a smirk.
Turner. Turner fucking Campbell is watching me screw
this crowd with my axe, and I can't breathe.
For a moment, I'm afraid my fingers are going to slip, and I'm going to
blow this whole gig, but the inner me, the one I dragged out, turns up the
notch on my smirk and slides my tongue across my lips. Oh my
god! What the hell am I doing? I flick it out and suck it back in,
melding into Wren, sliding against him like we're screwing back to back. And I don't even like the guy. I don't like either of these guys, but I can't stop myself. The music's taken over me, and will do what
she fucking pleases.
I
watch Turner watching me, and see that his brown eyes are glittering dark, like
a night sky filled with stars. It's so
off-kilter with his personality that it really throws me for a loop. Once again, I find myself having trouble
hating him. Seem to be having a lot of
trouble with my loathing abilities as of late.
Guess when I get onstage, I am just fucked.
Our
duet ends and Wren pulls away leaving me cold.
And in the middle of an impromptu solo.
Shit.
Luckily,
Amatory Riot has functioned as a unit long enough for the others to follow me,
modifying our song right then and there.
The crowd goes fucking wild, and the air escapes my lungs. The lights overhead shift and I find myself
bathed in color. My eyes shift to search
for Turner again, and I'm glad I'm wearing these shades. If he knew I was looking for him, I'd never
live it down.
A
gasp goes up on my right and Turner appears out of nowhere, snatching my mic
from its stand and grabbing Hayden around the waist. He makes a little come on gesture at me and then leans forward and grabs my lips with
his.
I
don't stop playing; I can't. Even if I
wanted to, I couldn't stop the burst of fucking power that's just taken hold of
me. I'm both a victim and a master to it
as it draws my hands along the neck and plucks strings with a violent fervor
that both scares and amazes me. Hot wet
heat takes over my mouth and pulls the rest of the inner me out, and then I'm
kissing Turner back hard and fast and furious while the world's most intense
riffs are just pulled straight through me, cutting me up and bleeding me over
the stage.
When
he pulls away, our eyes lock tight, and I know he can see right through my shades,
through my head, and straight down into me.
It's a trick; it's gotta be. I
want to remember the way he spoke to me on the phone, the way he left that poor
girl half-naked over the PA speaker, but I can't seem to grab any memories that
haven't been made right here, on this stage.
What else is there? my soul
asks me as Turner uses the cord of the mic to spin it in a circle and snatch it
back in one tattooed hand.
My
solo comes to a natural end, and I fall right back where I left off, taking the
band with me, opening my ears up to Turner's voice as it slides into the
microphone. It's unbelievable – my words
from his lips. I step back and Hayden
moves up beside him, doing her best to out sex her colleague.
It
doesn't work.
I
don't think it's even possible to out sex Turner Campbell.
He
grabs the hem of his shirt and slides it up, flashing his taut belly and a sea
of tattoos against pale, sweaty flesh.
His fingers rub the dark hair above his jeans and then drop the fabric
back into place, much to the dismay of the crowd.
“Tearing me up, shredding me inside; my walls
are coming down in flames.” Hayden's
voice slides in alongside Turner's and for a split second there, I'm
jealous. Of what and who and why, I have
no idea, because I fucking hate them both, and they deserve each other, but
… I brush the feeling aside and slam my
axe to bits with my pick. “If you break me, baby, be prepared to pick
up the pieces.”
Three. Two.
One. And the song is over, and my
pick is flying out across the crowd and landing in greedy hands. Sweat pours down my face in sheets and my
body is wracked with violent trembles.
Turner spins around and grins at me as the crowd explodes into a riotous
fervor that makes the bouncers nervous.
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Get Bent Blurb
Naomi Knox is missing.
I don't even f*cking know whether she's dead or alive.
What I do know is that she's the air I need to breathe.
She's my redemption, an all consuming fire that burns in my blood.
And I'll do anything to find her. Anything. Even if means the end for me.
& & &
Turner Campbell is searching.
But he has no f*cking clue what it is he's searching for.
There's darkness all around and enough secrets to choke.
There are angels, and there are devils. It's impossible to tell them apart.
Light needs to be shone on the truth, but there's no one left to hold the torch. The line between life and death is blurred, and the players are all thoroughly entrenched in the game. The question is: am I still one of them?
GET BENT (BOOK 2) EXCERPT:
I tap the vein in my right arm with two fingers and
check the rubber tourniquet that's wrapped around my sweaty flesh, making sure
it's pulled tight. I'm trying to set up
a good injection site, so I can take the syringe I've got clutched between my
teeth and shoot up. It's the only way
I'll get through this. The only fucking
way.
“Turner! What the hell is going on in there?” I slump against the wall and ignore Treyjan's
hoarse shouting. He's been out there all
damn morning, screaming his friggin' head off.
I don't want to hear it anymore.
He's driving me nuts.
I
pull the syringe out of my mouth and slide the needle into my skin, hissing at
the rush of white hot pain when it punctures my vein. I press the plunger down and wait. A few seconds later, I feel it in the back of
my throat. It tastes like fucking
victory, like accomplishment, like I'm king of the fucking world. I yank the needle out unceremoniously and
toss it into the trash can. It lands on
top of a mountain of used condoms and tissue paper, and it's probably
unsanitary as shit, but I don't care. I
don't care about anything right now except Naomi.
Naomi.
“Turner,
get your fucking ass out here now!”
I
rip the tourniquet off next and lay it on the counter, clutching the sides of
the sink as I lean over and cough. Good
meth always makes you cough. And it
makes you feel so fucking good that even a nightmare like this starts to look
like a dream.
“Are
you slamming meth in there, motherfucker?” Trey screams, and he sounds like
he's about to burst a damn vein this time.
I lift my eyes up and stare at myself in the mirror. It's not a pretty sight. I look
like shit. Jesus Christ. Have I been walking around like this for
three days? My eyes are bloodshot
and ringed with purple, and my lips are pale and cracked. I look like a Goddamn zombie.
“Don't
get your panties in a wad, bitch,” I call out to him, standing up and sniffing,
letting my eyes fall closed for another minute.
At least now I don't have to worry about how I'm going to get through
another day. The drugs will take care of
that for me.
Naomi.
I
reach over and unlock the door.
Trey
doesn't waste any time opening it and throwing me a death glare. I ignore him in favor of putting on some
eyeliner. We have a show tonight, and I
want to look good. Hell, I have to look
good or I'm not getting onstage. My pain
is private, not something to hang out for all to see. I'm not on display here.
“You
got a hard-on for me or something?” I ask him, pretending that everything's
alright, that my life has not just gone from bad to worse, that the breath has
not just been suctioned out of my fucking lungs. “I can't even shit in peace anymore?” Trey looks down at the garbage, up at the
tourniquet and sneers.
“You're
just gonna get high everyday now?” I
shrug, applying black around my eyes, making sure it's thick enough to hide the
circles. Women love eyeliner on guys
anyway. Or at least the women at my
shows do, the ones with the piercings in their noses and the tattoos on their
hips. I want to pick one of them up and
fuck away the pain, but I can't do that to Naomi. For the first time in my life, I can't even
imagine screwing another woman.
I
look up at the ceiling as my brain seizures with false pleasure, misplaced
hope, fatal courage.
“What
are you now, Mother Theresa? We've
gotten high everyday since we were sixteen.”
I pretend not to notice that Trey is wearing Travis' cap. Or whoever's cap. Still haven't figured that mystery out. There seem to be a whole shit ton of them floating
around right now, and that's kind of the least of my worries.
Naomi.
“Not
like this, Turner. Not fucking like
this. What are you doing? You're gonna kill yourself.” I don't tell my best friend that I don't
care, that I'd rather die than live without Naomi Knox. I mean, how fucked up is that? Love sucks balls. Everybody always acts like it's the one thing
worth living for, that spark in the fire that pulls you in, that strokes your
hair back and lets you know that everything's going to be okay. Well now that I've fallen into it, nothing is
okay. Nothing will ever be okay. I sipped from love's wine and now I'm drunk
as shit without a place to lie down. My
happy ending, my saving grace is lying dead in a morgue, cut up and fucked up,
so mangled they can't even identify her damn body for sure. Oh, they say it's probably her because if not
then, I mean, where the shit is she?
Where? Where? Where
the fuck are you, Knox? With your pretty
blonde hair and your sunglasses and your fuck you all attitude.
Releasing Soon
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Author Bio:
C.M. Stunich was raised under a cover of fog in the area known simply as Eureka, CA. A mysterious place, this strange, arboreal land nursed Caitlin's (yes, that's her name!) desire to write strange fiction novels about wicked monsters, magical trains, and Nemean Lions (Google it!). She currently enjoys drag queens, having too many cats, and tribal bellydance.
Always a fan of the indie scene and 'sticking it to the man,' Ms. Stunich decided to take the road less traveled and forgo the traditional publishing route. You can be assured though that she received several rejections as to ensure her proper place in the world of writers before taking up a friend's offer to start a publishing company. Sarian Royal was born, and Ms. Stunich's books slowly transformed from mere baking chocolate to full blown tortes with hand sculpted fondant flowers.
C.M. is a writer obsessed with delivering the very best and scours her mind on a regular basis to select the most unusual stories for the outside world.
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